With a captivating lead performance, Oldroyd’s subversive debut is chilling.
Sickening but revelatory, Ducournau’s body-horror drama leaves an aptly disconcerting aftertaste.
With engagingly tense, crumbling performances from his leading couple, Farhardi expertly tips us into a despairing morality play.
Peele’s innovative horror-satire uses white liberal racism incisively as the source of its pervasive, unsettling terror.
Jackman and Stewart’s final outing is satisfyingly conclusive in Mangold’s mournful but viscerally brutal film.
Farce, surrealism and poignancy blend in Ade’s tragicomedy on the disappointments and regrets between an eccentric father and his stricken daughter.
Mills’ quirky, unconventional comedy-drama is strangely intriguing as a snapshot capturing the zeitgeist of late 70s California and as a reflection on how time shapes our identities and relationships.
Gibson’s beatification of pacifist medic Desmond T. Doss has major problems in the telling of his remarkable true story.