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4 EYES ON THE SCREEN + EVEN MORE EYES: a cinema blog & podcast
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فروشنده (THE SALESMAN): Marriage and Morality Shatter in Farhadi’s Echo of Arthur Miller // Review
GET OUT: Peele’s Debut Turns ‘Polite’ Racism into Pure Terror // Review
LOGAN: Jackman’s Swan Song Is Unforgivingly Bloody and Brooding // Review
TONI ERDMANN: Surreal Farce Disguises Ade’s Poignant Drama // Review
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