Get Out | Review
Peele’s innovative horror-satire uses white liberal racism incisively as the source of its pervasive, unsettling terror.
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Logan | Review
Jackman and Stewart’s final outing is satisfyingly conclusive in Mangold’s mournful but viscerally brutal film.
Toni Erdmann | Review
Farce, surrealism and poignancy blend in Ade’s tragicomedy on the disappointments and regrets between an eccentric father and his stricken daughter.
20th Century Women | Review
Mills’ quirky, unconventional comedy-drama is strangely intriguing as a snapshot capturing the zeitgeist of late 70s California and as a reflection on how time shapes our identities and relationships.
Hacksaw Ridge | Review
Gibson’s beatification of pacifist medic Desmond T. Doss has major problems in the telling of his remarkable true story.
Manchester by the Sea | Review
In turns elegant and modest, Lonergan’s portrait of men struggling with grief owes much to the well-observed, touching dynamic between the lead duo.
La La Land | Review
Pretending to fuse our modern cynicism with the romantic nostalgia of Los Angeles, Chazelle’s award-baiting film is a schmaltzy, underwhelming pastiche.
